PARIS MILONGA 1. Alle Prese Con Una Verde Milonga RCA, 1981
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"...It defines much of what is now immediately
recognisable as Conte's own style, particularly as would emerge from his
ever more frequent live performances. Apart from carrying over much of
the instrumentation and refined musicality of the previous record, Conte's
own arrangements give noticeably more space to the jazz element, even
if still a vague and distant font of inspiration; good examples are the
brassy dance hall reminiscences and boogie piano of Boogie, or
the vibraphone break of Via con me. Songs such as these, but equally
Blue haways or Pretend, also identify in their lyrics the
more definite emergence of a further Conte hallmark: escapist exoticism
and the evocation of legendary myths and eras. Though visible previously,
they are from here on confirmed as a major trait. Similarly the Latin-American
influences, already present in the song Sudamerica, are in this
album reconfirmed, again as a far-off reference, in both the music and
lyrics of Alle prese con una verde milonga...." (The full
review will be made available in the equivalent section of the members'
area, click here
for more information on joining.)
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